The Student Newspaper of Wake Forest University
Established 1916


Search ogb.wfu.edu

 

 

 

 

 

Danish 'Italian for Beginners' sweetly low-key

By Aaron Winter
Contributing Reporter

As the fine yellow dust covering your car and your late night study group in the ZSR can attest, summer is on the way.

For Hollywood, summer means blockbusters. Theaters will soon be inundated with gross-out teen sex comedies, sci-fi action thrillers like Spider Man and Star Wars Episode 2 and undoubtedly a sassy Julia Roberts falling in love with somebody.

So thanks be to North Point 5 and its inexplicable commitment to showing foreign and independent films.

If watching Steven Spielberg and Tom Cruise hook up (in the creative sense, at least) in Minority Report is your idea of six bucks well spent, then you probably won't be that excited about the new Danish import, Italian for Beginners.

A collaboration between Lone Scherfig and Peter Gantzler, Italian for Beginners is such a sophisticated movie that it features subtitles that translate dialogue from two foreign languages.

Note to guys: women like it when you take them to movies with subtitles. It makes you seem sophisticated, kind of like when you order the International Omelette at IHOP.

While subtle, this film about Danish thirty-somethings who take an Italian course at a dingy community center is refreshingly simple. It's a love story. Not a sickeningly contrived and heartwarming love story where beautiful sex objects pine for each other accompanied by weepy cello music, but rather a love story with characters who look and seem like real people.

There's an impotent hotel clerk, a sarcastic Adidas-clad restaurateur, a hairdresser and her long-lost sister and a neophyte priest with a cool tattoo. Set against the dull gray of the Danish cityscape, the principals have interpersonal skills to match the Scandinavian cold.

The Italian class brings the shy residents of the small village together, adding a Mediterranean vitality to their working-class lives.

These individuals remind you of people you know, seeking compassion and fumbling with life's complexities along the way.

Scherfig directed this movie according to the rules of Dogme 95, the back-to-basics filmmaking aesthetic that includes no elaborate sets, no musical score, no flashbacks, no editing effects and everything shot with a handheld camera.

This spare approach (referred to by Dogmeists as a filmmaker's "vow of chastity") forces the attention away from the director and back to the actors and their characters.

What you end up with is pretty much the polar opposite of Lucas or Spielberg, the sort of movie that everyone has the resources to make, but not the talent.

Scherfig and his cast are indeed talented, weaving together a story that includes four deaths, three romances and one incidence of nookie in an alley on a rainy Venice afternoon.

(Something I bet even Sex and the Campus columnist Brandy Jones has never done.)

The honesty, humanness and endearing vulnerabilities of the characters compensate for the somewhat unbelievable plot twists and situations they find themselves facing.

Italian for Beginners is a solid, engaging romantic comedy strikingly different from any other movie that you will see this summer.



 


Copyright 2002, WFU Publications Board. All rights reserved.