The Student Newspaper of Wake Forest University
Established 1916


Search ogb.wfu.edu

 

 

 

 

 

Ma Vie en Rose
By Tamara Dunn
Perspectives Editor


“I have seen the world so large,” I wrote in my travel journal after my magical candlelight visit to Chateau Vaux-le-Vicomte.


Well, in actuality I have seen about 62 percent of Paris and bits and pieces of France and a few key spots in and around London. No matter where you go abroad, or how much traveling you do while there, you return with this sense of having witnessed the sky widen and having widened yourself with the mere appreciation of such expanse. I have heard some speak of Vienna with that glistening reminiscence. For others it may have been Florence or Hong Kong. For me, it was and will ever be Paris.


My heart was set on Paris as it has been and continues to be such an artistic center. As one of the university’s study abroad programs is located in Dijon, I chose Well’s College Program for the Arts in Paris. It was perfect for me. My focus on art had never been so intense. I took painting, photography and Impressionism classes, but the history of creativity and the omnipresent art world in Paris penetrated my daily life. In class, I ground my own pigment to make oil paint just as the old masters did. Then I chose a museum for the day and enjoyed the right of every certifiable art student to enter French museums for free. I was immersed in the language, the culture and the art.


One of the key elements of my experience was the opportunity to copy in the Louvre. The long tradition of painting master’s recreations for the purposes of technical study includes such creative greats as Delacroix and Manet. It seemed surreal that I should be granted an easel. The building itself is awe-striking. The size and the overwhelming number of works within are magically traumatic. It is so much more than you and within an hour or two, it becomes too much for you. I made the two days a week I spent on the second floor of Sully all the more unbelievable by pumping Jimi Hendrix, Tori Amos, Bob Dylan and Lauryn Hill through my Walkman while applying the glazes on my painting. I half expected the guards to interrupt me and regretfully inform me that Lynrd Skynrd is prohibited within earshot of masterpieces. I think they were too humored with catching me bust a few moves in between waves of tourists.


Playing the part of the stupid American excused some such behaviors. It was a role I had to learn to embrace. Whenever I did something asinine, my housemother, Djamila, uttered “Qu’est-ce que tu as, Shannon,” as in, “What’s wrong?” However, the look on her face would always add “with you?” I wretched at the thought that I was classified in the same group as some of the sore thumb, locust-like Americans we saw. Nonetheless, my mistakes fitted perfectly with the stereotypes. I missed trains, misheard and mispronounced my butchered French, got lost, miscalculated military time, and questioned my intelligence on a daily basis. I missed all of the comforts of routine. In them, there was far less room for error, and error was where I might as well set up camp and buy a burial plot. However, that is the great challenge that incites us to grow and compensate for our personal shortcomings and human fallibility.


You cram your way through the university and believe you learned a great deal, and you did. However, stepping outside of this bubble is the fastest way to pop it. The more you see, the smaller your knowledge appears in comparison. The wealth of places and images you encounter in a foreign city revive your proud and complacent mind. An experience abroad can open you up to a new perception of the world, your small place in it, and, thus, a new way of living. “During my four months in Spain, I realized the value of slowing down enough to enjoy the beauty of life,” said junior Emily Wilson. “By making a habit of chatting with friends in the warm golden glow of the Plaza Mayor at sunset, I realized there’s more to success and happiness than checking tasks off my to-do list.”


I believe that what I learned while abroad will remain fresh in my memory. It was not so much that I learned it but that I lived it. Sandra Kwok-Silve — commonly referred to as Kwoky, maybe because she does bear some resemblance to the cuteness and cuddliness of an Ewok — taught my History of Impressionism class. It was held in her gorgeous apartment on the Rue de Turin. The building itself was designed and built in the age of Impressionism so she teaches there to facilitate a kind of atmospheric time warp. We passed Manet’s old studio every time we walked to the bus stop on our way to the Musée d’Orsay. She had us trim her 30-year-old master palm tree with Christmas ornaments prior to our final project presentations to ease our stress. She is a self-professed marshmallow, something so contrary to university professors, which made her sage-like tone and invitation for our personal opinions all the more stimulating. We wrote our midterm essays sitting on the floors of the Musée Marmottan looking at the very Monet paintings we were comparing. That class was the most enjoyable and perhaps the most profitable of my education thus far.


I understand junior Harriet Gilmore, who studied in Sydney, Australia and plans to go abroad again, when she advises that “Going abroad is the best thing you can do while in college, and I would tell anyone to go as many times as possible.” It is difficult to express to someone who hasn’t suffered, survived and smiled under such circumstances how much they mean; yet, I hope I shed some light on the subject and inspire others to go and comprehend for themselves.
Upon leaving, I was as stressed at the task of packing as I was upset to be leaving. Taking a half hour out of my second to last day to cry, it occurred to me that I may not have recognized all my blessings. I had catalogued precious events in my personal history, and to fear that they would fade would be to underestimate their impact. I remembered the elderly lady on the metro who smiled at me as I brushed her knee as I clamored into the window seat. I watched her wrinkled fingers worked over her rosaries from Invalides to Plaisance. She was beautiful. It was beautiful. There were countless miracles that kept me pushing forth through transportation strikes, political “manifestations,” lingual limitations and a day of rain for every two days of sunshine.


Surprisingly, one of the greatest treats of going abroad was appreciating my return. I esteemed my family, friends and the comforts of home as dear to me before I left. In missing them, I benefited from an appraisal of their contributions on a truer scale. I also gained the opportunity to share my experience with my loved ones as well as fellow students who treasure similar adventures. It may sound slightly cult-like, but I think we enjoy hearing that far-off recognizance in the tenor of each other’s tales.


If you have ventured outside of your country or even just outside of your comforts, you may understand my nostalgia for a time taught me so much, transformed me so greatly and yet anchored me within myself so strongly. I hope to visit someday and still hold some unlikely hope that I might find some employed excuse to go back for a year. If you had a time anything like mine, you revisit it on a daily basis drawing from a library of a thousand little things it changed, challenged, and redefined in you. My semester abroad schooled me as a student, an artist and as a human being.



 


Copyright 2002, WFU Publications Board. All rights reserved.